Tuesday, March 12, 2013

Fifteen Comic & Fantasy Artists That Stuck With Me: Frazetta, Adams, Kirby and more!

Jamal Igle recently asked a question on Facebook to his friends:
Fifteen Artists who've influenced you and that will ALWAYS STICK WITH YOU. List the first fifteen you can recall in no more than fifteen minutes.
An interesting list to make!  This is what I came up with, in no particular order:

Kamandi 1 cover by Jack Kirby

Jack Kirby.  How could any list not start with the King?  I mainlined the King's comics in double doses in the 70s, first through the reprints of the Fantastic Four, while concurrently reading his Fourth World books at DC. 

Marvel Treasury Edition 1 classic cover by John Romita Sr, 1974

John Romita Sr.  One of the major reasons for Marvel's success and the guy I always identified with Spidey.

The Amazing Spider Man Annual 1 1964 - Spidey vs Elecktro by Steve Ditko

Steve Ditko.  Of course when I read the reprints in Marvel Tales, I got a whole new trippy take on Spidey and Doctor Strange.  There probably wouldn't have a been a Marvel without both Ditko and Kirby helping out Stan Lee.

Adventure Into Fear 23

Gil Kane.  He bended and twisted both his figures and his panels in ways we had never seen before.  He drew countless covers for Marvel, which he might probably disown, but I think most of them are great.

BATMAN 237 cover by Neal Adams

Neal Adams.  The hottest artist in the early 70s, a book with his artwork immediately raised the price of any back issue.  I would buy a comic just for 1 cover or pin-up with his work on it.

Astronaut cover by Wally Wood

Wally Wood.  Master of pen and ink and highly detailed imagination.  He should have worked more and met a very tragic end.

Conan by Frank Frazetta

Frank Frazetta.  He sold me on Conan and Warren Magazines like Vampirella with his paintings alone.

Doctor Strange 177 transformed into masked mystic

Gene Colan.  Master of shadows and light, Colan's greatest problem was that inkers misunderstood him.  When he teamed with Tom Palmer on Doctor Strange and Tomb of Dracula, he had someone who understood how to render his pencils.  Colan's Daredevil was also top notch.

Savage Tales - Red Nails intro

Barry Smith.  Started out as a Kirby clone and over the years morphed into one of the finest fantasy artists around.  His swan song on Red Nails is one of the best conceived Conan stories ever done.

alex-toth-and-archie-goodwin-batman-death-flies-the-haunted-skies-page-002

Alex Toth.  Shadows and light, Toth was a master of that as well as story telling.  His work was few and far between but I'll always remember his work on Hot Wheels, Black Canary, and this Batman story from Detective Comics #442.

Silver Surfer 4 cover by John Buscema, 1968

John Buscema.  He hated superheroes but at times like this one (Silver Surfer #4) he drew them so damn well.  His work on Conan was his real love and pushed that title to new heights.

TARZAN 207 cover by Joe Kubert 1972

Joe Kubert.  His work drew me to the Edgar Rice Burroughs works like Tarzan, but later I had much fun collecting his run on Enemy Ace.  A Kubert comic was an escape from the world of superheroes into worlds of adventure. 

Batman and the Outsiders 1 1983

Jim Aparo.  His brooding style of artwork made Phantom Stranger come alive and Brave and the Bold worth getting no matter who the co-star was.  A solid artist who seemingly never missed a deadline.

American Flagg 1 cover by Howard Chaykin

Howard Chaykin.  I had followed Chaykin throughout many titles in the 1970s: The Scorpion, Cody Starbuck, Dominic Fortune, the Star Wars adaption, and Stars My Destination.  I could never figure out why he wasn't a superstar, then when American Flagg came out I was not only thrilled to read it but to see it was a big hit.

Atari Force 9 cover by José Luis García-López 1984

Jose Luis Garcia-Lopez.  Whoever discovered Lopez for DC Comics (was it Joe Orlando?) made a find akin to a huge gold deposit.  He could draw any of DC's characters in an elegant and exciting manner.  It was the video game tie-in Atari Force that gave me the biggest thrill, followed by his work on Cinder & Ashe and Twilight.

Hard to name just 15!  Let's make it 17.  

DC Special Series 1 1977 Swamp Thing wraparound cover by Berni Wrightson

I would have to also add...Berni Wrightson.  His work on Swamp Thing, various stories for Warren Magazines Creepy / Eerie, plus his Frankenstein portfolio were all superb.

Warren The Spirit 02

...and Will Eisner.  Eisner made the streets of Central City drip with water, slime, and corruption in the Spirit.  Logoforms with the Spirit letters on title pages, femme fatales, and lots of humor.  The fact that I got turned onto this work in the 1970s was a little gift from Jim Warren's magazines.

Heck, I probably should have included Walt Simonson, too. 

I think if you look at my choices, they all have very distinctive styles.  No one is really trying to copy each other, although many of them did have the same influences, such as Milton Caniff, Hal Foster, and other newspaper comic strip artists.  Most of them were in their prime during the late 60s and 1970s, with Chaykin being the exception to that--he really hit his stride with American Flagg in the 1980s.  

These were honestly the first guys who came to mind--the artists I encountered before I turned thirteen.  Funny that this list didn't include any 80s artists that I admired like Frank Miller, John Byrne, Michael Golden, Art Adams, etc.  Nuff Said!



Tuesday, March 5, 2013

Mister Miracle and Big Barda by John Byrne

I've been re-reading the Kirby Fourth World Omnibus books lately.  Reading the early issues of the New Gods, Mister Miracle and Jimmy Olsen are a trip...each issue introduces something unique and fresh.  Mister Miracle was my favorite of that DC era...when Kirby introduced Big Barda to the series it just made everything better.

Miracle Man and Big Barda by John Byrne

Mister Miracle and Big Barda: John Byrne does a great job drawing the Kirby characters.  This is a 2012 commission.

Big Barda by John Byrne

Big Barda of the Female Furries, this one was drawn in 2006.  Nuff Said!


Friday, February 1, 2013

Neal Adams draws the team-up we longed for: Deadman and Spectre

Here's a team-up I wish would have occurred during the Bronze Age.

Neal Adams Deadman And Spectre Illustration Illustration

Deadman and The Spectre drawn by Neal Adams!  If any two characters should have met, it would have been these two dead, ghostly heroes.  Throw in the Phantom Stranger and you might even have a team.  Nuff Said!


Wednesday, January 30, 2013

Jack Kirby, Curt Swan, Wally Wood, John Byrne, Jim Steranko, etc on a Silver-Bronze Age Jam!

Another Jam piece, commissioned by Martin Greim in 1978 to 1982!  This one is a doozy, one of the few times (perhaps the only time) that Wally Wood inked Curt Swan on Superman, and this unique team-up is complemented by what some would call the two greatest penciler/inker duos in the history of comics: Kirby/Sinnott and Byrne/Austin.

Martin Greim Jam 1978-82, Curt Swan, Wally Wood, John Byrne, Jack Kirby, etc

  • Tom Sutton - Vampirella
  • Ernie Chan - Hulk
  • Ramona Fradon - Plastic Man
  • Kurt Schaffenberger - The Original Captain Marvel
  • Jack Kirby & Joe Sinnott - Captain America
  • Michael Golden & Joe Sinnott - Ant Man
  • Curt Swan & Wally Wood - Superman
  • Joe Staton & Dick Giordano - Wonder Woman
  • John Byrne & Terry Austin - Spider-Man
  • Gene Colan & Klaus Janson - Howard the Duck
  • ??? & Dave Simons - Doll Man
  • Jim Steranko & Joe Rubinstein - Nick Fury
  • Jim Aparo - Batman

How could you not be proud to own this fine piece?  Many of them are by classic Silver & Bronze age artists: Aparo on Batman, Swan on Superman (getting Wood to ink him was a real coup), Byrne/Austin on Spider-Man and Steranko on Fury--oh my!  It was also signed by Captain America co-creator Joe Simon!  Nuff Said.


Tuesday, January 29, 2013

Gil Kane & Alex Toth on Johnny Thunder original art cover

Alex Toth fans are probably well aware of his work on DC's Johnny Thunder character in the 1950s.  I am not that familiar with DC's western heroes, outside of Tomahawk and Super Chief.  But here is a unique cover featuring both Gil Kane and Toth on the inks.

All Star Western 122 Alex Toth, Gil Kane

All Star Western #122, published in 1951.  A real Zorro vibe to this cover.  On the surface, it looks like Toth did the whole thing.  You've got to want to buy this comic just based on the cover, a cowboy like Johnny Thunder using a fencing sword instead of a gun to rescue that girl behind him.

Gil Kane All-American Western #122 Detailed Cover Pencils

I recently found the cover pencils on Heritage Comics.  Here you can see it was a fully pencilled Gil Kane cover.  This is interesting in a number of ways.  You can see early on in his career, Kane was really all about drawing action in a very fluid manner, a trademark of his style that lasted decades.  Now I am wondering, was he influenced in this style by Toth?  Also, note the way he added the shadows with very detailed pencils, something that I don't recall seeing in Kane's 70s covers.

After Toth added the inks, the faces of the figures were transformed into his signature look.    I wonder if these two worked on other western covers?

I did a quick search to see what history these men had together, and from what I read on Comic Book Resources forum, it wasn't an easy relationship.  Nuff Said!


Monday, January 28, 2013

Monster Monday: Swamp Thing commissions by Berni Wrightson

Berni Wrightson left the Swamp Thing series in the 1970s, but it hasn't stopped him from doing commissions of his greatest creation.

Swamp Thing roaring by Wrightson

This illustration features Swampi charging out of the woods.  The design of the creature seems a bit more like the Bissette & Totleben version of the character.

Swamp Thing agony by Wrightson

Here is another one, featuring an enraged Swamp Thing amid the brambles.  Nuff Said!



Saturday, January 19, 2013

Lee Weeks Commissions: Rocketeer, Captain Marvel, Space Girl

I love the artwork of Lee Weeks, just can't get enough of it and the fact he isn't on a regular title is a big letdown.  Fortunately, Lee Weeks has a Facebook page where he shares a lot of commission work.  Here are three new ones that I thought were great.

Rocketeer by Lee Weeks

The Rocketeer.  Hard to imagine anyone but Dave Stevens drawing the character, but I think Lee nailed this character.

Captain Marvel by Lee Weeks

Captain Marvel, the World's Mightiest Mortal, the Big Red Cheese.  Or as DC now calls him: SHAZAM!  Do you see a bit of Fred MacMurray on Cap's face?

Space girl by Lee Weeks

An original character we can call Space Girl.  According to Lee:  Tried to do something a little tougher than cheesecake, but still Space Girl...a little less rough than Ripley from Aliens.  I think this character is elegantly conceived, I get a Garcia-Lopez vibe from it.

Please visit Lee Weeks on Facebook for more great stuff including convention appearances!  Nuff Said.


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